If you are representing an organization, what is the name of the organization:
If you are representing an organization, what kind of organization?
First Name (Required: even if you are representing an organization you must use your name)
Last Name (Family Name)
About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!
Dr Karen Pearlman is the author of Cutting Rhythms, Shaping the Film Edit (Focal Press) and co-director of the multi-award winning Physical TV Company. Through Physical TV she has produced or directed numerous highly acclaimed shorts that have screened at over 200 national and international festivals, a project for mobile phones and the dance-noir feature film Thursday’s Fictions (ABC-TV). She was a writer/producer on Thursday's Fictions reincarnation into the form of an interactive virtual world in Second Life.
Karen is currently a project investigator on an ARC Linkage Research grant looking into interactive media innovation [imi], and is also working on a curatorial research project under the auspices of a grant from from Critical Path, NSW. She frequently moderates panels and events for the Australian Screen Editors Guild and serves as a judge for film festivals. Her publications include her work as co-editor of Performing the Unnameable; An Anthology of Australian Performance Texts (Currency Press, 1999) and she has published essays and articles in Lumina, The International Journal of Screendance, Metro, RealTime, The Journal of Performance Studies and other anthologies, conferences proceedings and journals. Karen’s other careers include professional editor - 2009-2010 President of the Australian Screen Editors Guild; and professional dancer - performing on the Opera House stages of the world and directing two dance companies. She holds a Doctorate of Creative Arts from UTS, two MAs – one from UTS and one from AFTRS, and a BFA in dance from NYU Tisch School of the Arts.
This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life.
We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape.
This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project.
You can donate to support my work here:
WOULD YOU LIKE MAKE A ONE TIME DONATION?
Support making a single donation of any amount.
for more information
YOU MAY DONATE BITCOIN HERE
Dance-tech.net and dance-tech.tv were generously supported from January 2017 to January 2020 by: