Des mouvements du quotidien dans un espace à danser pour créer un moment de vie autour d’objets triviaux.

Des tiroirs qui s’ouvrent au milieu d’un champ, qui n’a rien d’une scène..pas de limite à l’espace dansé, la porte présente n’a pas de sens d’ouverture. On est derrière ou devant, Peu importe tant qu’on est dans l’espace il est question de danse. Si le lieu a été choisi pour exprimer un sentiment d’infini, le cadrage lui au contraire délimite, retrace une scène, invente des coulisses et la danse dans son entier disparait petit à petit. Un cadre large au début, longtemps gardé, puis le montage va fragmenter l’image et le cadrage morcèle par la suite le corps du danseur.

Le monteur coupe, sélectionne, chorégraphie et il se permet de faire danser l’impensable, ” l’indansable” et se retrouve finalement lui-même danseur.

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