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Strings Attached: An Experiment in Connection
Strings Attached: An Experiment in Connection
May 19, 8pm at TSA Collective$5 donation
“…interaction should consist of bidirectional communication, and can have no predetermined outcome if the interactors are genuinely engaged in the exchange of information/experience.” Sita Popat
Strings Attached is an interactive performance choreographed and performed by Cindi L’Abbe. The piece explores the roles of audience, director and performer through modes of audience participation, choreographed structure and improvisation. Soundscore will be provided by Ian Logan and David Ross. The performance will be followed by a panel discussion moderated by Laina Barakat.
The panel includes Cindi L’Abbe, Ian Logan (of Sisters and Brothers) and Cathy Nicoli (dance faculty at Keene State College).
What’s the point?
To allow audience members to “enter” a dance by interacting and directing the performance
To explore the concept of communication through a dance conversation using words and physical strings
To illustrate the connected-ness of human beings through invisible and visible threads
To create interactive art as a demonstration of the creative potential of audiences as well as performance, to democratize the dance
What are we talking about?
Interactive elements in performance art as methods of creating audience “connection”, relevance
Improvisation as conversation, performance as communication
The performing arts as an illustration of humanity
Strings Attached is an interactive performance choreographed and performed by Cindi L’Abbe. The piece explores the roles of audience, director and performer through modes of audience participation, choreographed structure and improvisation. Soundscore will be provided by Ian Logan and David Ross. The performance will be followed by a panel discussion moderated by Laina Barakat.
The panel includes Cindi L’Abbe, Ian Logan (of Sisters and Brothers) and Cathy Nicoli (dance faculty at Keene State College).
What’s the point?
To allow audience members to “enter” a dance by interacting and directing the performance
To explore the concept of communication through a dance conversation using words and physical strings
To illustrate the connected-ness of human beings through invisible and visible threads
To create interactive art as a demonstration of the creative potential of audiences as well as performance, to democratize the dance
What are we talking about?
Interactive elements in performance art as methods of creating audience “connection”, relevance
Improvisation as conversation, performance as communication
The performing arts as an illustration of humanity
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