Also, has anyone had any luck getting into the network for LETS MOVE, Michelle Obama's campaign. One would think this network would be a…Continue
Added by Deirdre Towers on March 8, 2013 at 8:54am — No Comments
The screening of the two part film OLYMPIA directed by Leni Riefenstahl in 1936 made the women in re:PLAY 1913's audience to acknowledge the power of the female gaze. How often do we see evidence of that? Riefenstahl's exquisite framing of superb bodies in action,…Continue
Added by Deirdre Towers on January 29, 2013 at 10:00am — No Comments
If a slim, handsome man or woman waits on you in a Manhattan restaurant, you just assume they are performers. But do you do the same in Chinatown and Flushing? Perhaps you should. Since 1988, Qi Shu Fang, master of Chinese Opera, has been developing her own Peking Opera Company with her husband…Continue
Added by Deirdre Towers on October 22, 2012 at 3:53pm — No Comments
I just spent 4 rewarding hours in the company of Peter Kubelka, courtesy of the filmmaker Martina Kudlacek. He is a Viennese man absolutely sold on his own ideas, so eager to share them, and so charmed by their endless possibilities, that we must dispend any skepticism. Martina Kudlacek, who made the 2002 documentary…Continue
Added by Deirdre Towers on October 10, 2012 at 6:24pm — No Comments
What does Jason Akira Somma’s installation “Phosphene Variations” recently on exhibit at Soho’s Location One have in common with Snoop Dogg’s performance with Tupac this last April in Coachella? Both are take-offs of Pepper’s Ghost, a centuries old illusion popularized by John Henry Pepper in 1862 in which an…Continue
Added by Deirdre Towers on October 4, 2012 at 9:30am — No Comments
Soledad Barrios dares to touch us, to appeal to our empathy, and evoke an image of courage despite impossible circumstances. This Madrileña, acclaimed by Alastair Macauley to be one of the greatest dancers of any genre, seems now to transcend dance all together. She commands our…Continue
Added by Deirdre Towers on September 30, 2012 at 12:04pm — No Comments
"We drank wine, watched porno films, danced as though we were dancing contact improv or working for Forsythe, Kylian, Anne Teresa de Keersmaker, " said the charismatic dancer Jordi Cortes Molina about his collaboration with Daniel Munoz in the making of COUP DE GRACE based on two men whose friendship was brought to an abrupt stop - only to be tested again after 40 years. "We tried everything to get to all the layers of the friendship of these two men with their long long history together.…Continue
Added by Deirdre Towers on August 24, 2012 at 6:29pm — No Comments
Tonight I will perform at St. Marks Church in Dagmar Spain's YELLOW IS NOT GOLD. Will I be able to replace the moments in the piece that feel amorphous with those that feel potent and compelling? At least, in the heat of the night - or was it the morning?, I had a germ of an idea. As much as I would like to share it, Daniel Nagrin once advised his choreographic students never to reveal the basic impulse for your choreography. Guard it as your secret. But the question I pose is whether the…Continue
Added by Deirdre Towers on June 23, 2012 at 11:07am — No Comments
On January 30, 2012, NYC's Department of Homeless Services runs its eighth Homeless Outreach Population Estimate (HOPE). The survey estimates the number of individuals living on the streets, in parks and in other public spaces in New York City. A survey is a federal requirement for all cities wishing…Continue
Added by Deirdre Towers on January 7, 2012 at 6:02am — No Comments
Gabrielle Lamb, USA, 2011; 10m
A one-of-a-kind film collage that draws on dancers’ dream journals, choreography, structured improv and spoken text.…Continue
Added by Deirdre Towers on January 6, 2012 at 12:37pm — No Comments
In 1994, I looked out at the sparse Dance on Camera Festival audience at Anthology Film Archives and asked anyone whether they had any suggestions for building the festival. Margaret Williams, the brilliant British director of OUTSIDE IN, came out of the dark from the back of the house, to shake my…Continue
Added by Deirdre Towers on December 22, 2011 at 10:00am — No Comments
I'm excited to finally meet Clara van Gool whose latest work COUP DE GRACE (see the making of) indicates that she is ready to do a feature film, which she apparently is. Her website indicates that she is working on a feature inspired by Henry James' short story Beast in the Jungle. With that in mind, I have been reading James stories. The Aspern Papers is an amazingly gripping read,…Continue
Added by Deirdre Towers on November 17, 2011 at 11:00pm — No Comments
What is a dance film?
Gilbert Keith Chesterton (1874-1936) was a British writer whose criticism holds up over time. His depiction of "A Midsummer's Dream" reveals such a fresh perspective with an acute sense of how Shakespeare "catches the atmosphere of a dream. The personalities are well known to everyone who has dreamt of perpetually falling over precipices or perpetually missing trains. ... The author contrives to include every one of the main peculiarities of the exasperating dream. Here…Continue
Added by Deirdre Towers on March 17, 2011 at 11:33am — No Comments
The editor Daniel Kontz for THE CAMERA BETRAYS YOU submitted by Liz Staruch and Mark O'Maley from West Chester University is a young talent to follow. Daniel transformed the team's flip-book idea into a dynamic, graphically pleasing jaunt, taut with tension. Shot on the High Line in NYC, THE CAMERA BETRAYS YOU makes you grin and wonder, as it draws you into its go-go/freeze rhythm. The video was created with 10,000 photographs of action and celebrated by the High Line on their website.…Continue
Added by Deirdre Towers on March 15, 2011 at 10:00am — No Comments
Does one always set out to communicate when one writes?
No, sometimes you are just trying to understand your thoughts,
study your dreams, wrestle with something you heard, did, or saw, come to
grips with the mysteries of being.
Communication begins when you think about someone other than just yourself.
This might be why good writing is also…
Added by Deirdre Towers on March 5, 2011 at 5:00pm — No Comments
Laura Taler, maker of the wonderful A VERY DANGEROUS PASTIME and Village Trilogy, said during her talk at Dance on Camera Festival that one of her professors urged her to use proprioceptive writing as a vital part of her practice. So I decided to explore that further. Unfortunately can't do a course that starts this week called HOW TO HEAR YOURSELF: A 5-DAY PW IMMERSION, SPRING STREET, NYC. The course descriptions includes "Through PW you learn to listen to your thoughts…Continue
With limited resources, how should a dance film service organization best focus their efforts on nurturing the dance filmmaker? Do dance film festivals actually help the dance filmmaker? When DFA's Festival started in 1971, it formed a community, brought the user, producer, and filmmaker together. But now with over 5,000 film festivals and dance film festivals sprouting up everywhere, multiple options to screen your work on-line, what impact does a screening have on a filmmaker's career.…Continue
Wondering how Wim Wenders 3d film on Pina Bausch is being received at Berlin Film Festival, I scanned the website of this famous festival. What can be learned from how they run it?
Asked to do a self-evaluation for DFA's Board, I am exploring a bit beyond the same final report requested by any funding agency, such as NEA. What more could be done?
The Berlin Festival proudly presents 8 categories of films: 1) BIG name fiction features expecting big audiences, 2) art…Continue
BÖDÄLÄ – Dance The Rhythm
U.S. Premiere - Nominated for Jury Prize
Gitta Gsell, 2010; Switzerland, 78m
Bodala is a Swiss rhythm…
Added by Deirdre Towers on January 18, 2011 at 12:13pm — No Comments