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[...] Pier Giorgio De Pinto is a visual artist who works on a performative concept of body representation, employing the technological medium as a privileged form of expression. His work develops through conceptual purposes transferred to images and is based on an ethics of contemporary perception that has its basis in the positivistic idea of the medium and the material culture.
De Pinto's images are traces following a rethorics showing a strong mnemonic element, made clear by an extreme stratification of references, wherein the spectacular making of representation mixes both emotional and sensual instincts, with sacred and profane references.
[...] Creative arrangement consists of the fragmentary nature of images, in their showing themselves through cuts and refined shots purged from epical references. Organized language acquires a timeless value, employing critical and structural connotations, within a study where the digital code, both a screen and a double, portrays reality and the artist destabilizes it through the procedure: composing, correcting, assembling, reassembling and inventing figures or patterns to give expressiveness and introduce new visual and visionary signs. [...].
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Being and Becoming
Performance from "AMNIOS" @ Teatro La Limonaia, Sesto Fiorentino, Florence. 2005 Choreographer/Performer Alessandra Palma di Cesnola. Curator Fiorella Nicosia. Video by Pier Giorgio De Pinto. Are the future or the past as real as the present? Does time flow or lapse or pass? These metaphysical questions have been debated for more than two millennia, with no resolution in sight... In the video a dance where the body runs after himself, it appropriates itself, absorbs a physical body to rid itself of or to follow its evolutions." Who runs after who, who follows who? The past on the present, the present on the future?
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