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AffeXity

Jeannette Ginslov is Artist in Residence at Malmö University for AffeXity Phase 02

@ MEDEA Feb to Mar 2012

AffeXity, a play on both ‘affect city’ and ‘a-fixity’, is an interdisciplinary collaborative social choreography project drawing together dance, visual imagery, and mobile-networked devices. It uses a free open standards augmented reality web browser called Argon running on the iPhone and iPad for the viewing of choreographies embedded in the city of Malmö, Sweden. Short screendance narratives shot in the city area are then edited, focusing on affect and corporeality, and uploaded on Argon. These are geospatially tagged onto certain locations in Malmö, which the will viewers access using Argon on mobile devices, the iPhone and/or iPad.

See AffeXity Proposal Video: http://www.youtube.com/watch?v=03uTRXtdi3A

For the final launch of the AffeXity project, videos will be shot in and around Malmö for the performance and uploaded onto the Argon Browser for the viewer to download onto their mobile devices – ipads and iphones. The final AffeXity project will be launched Nov 2012. Several phases have to be undertaken in order to develop the technology and videos.


Screendance Videos Created in Phase 01:

Videos

Clip #1 Carlsberg http://www.youtube.com/watch?v=umlCMJ7Numg

Clip #2 Ghost Hands http://www.youtube.com/watch?v=mExoLrKyFoU

Clip #3 Delicate Passage http://www.youtube.com/watch?v=aE0fWBuXfoI

Clip #4 Laughing Bells http://www.youtube.com/watch?v=MYrvAHswcd0

Clip #5 Red Walls Feet http://www.youtube.com/watch?v=aRbm7BNYVfU

Clip #6 Red Wall Dreaming http://youtu.be/oh5l1r1FEd0

Familiar Stranger – Choreography, Performance and Concept by Wubkle Kuindersma. Direction, camera and edit by Jeannette Ginslov. This was also shot this during the Laboratorium and explored affect and the haptic. It is 11:30 mins long and is a video installation work. It will be featured at the MEDEA evening, on another monitor.

Collaborators:

Prof Susan Kozel (currently based at Medea Collaborative Media Initiative, at Malmö University is responsible for concept, artistic direction, mixed media choreography and project management) SK

Jay David Bolter (Professor of Media and Technology, Mixed Environments Lab at Georgia Tech, Atlanta, USA) JB

Maria Engberg (Lecturer at Blekinge Institute of Technology, Sweden) ME

Jeannette Ginslov (Independent Screen Dance Artist, Online Producer & Choreographer) JG

Karolina Rosenquist (Medea Collaborative Media Initiative, Malmö) KR

Wubkje Kuindersma (free lance dancer and choreographer based in Copenhagen) WK

Timo Engelhardt  (Masters Student Malmö University Computer Science Department: Software Design) TE

Two other students from Georgia Tech are also involved in the project:

Nachiketas Ramanujam and Sanika Mokashi will work on the AR programming in USA

A composer will be found to compose an original sound score. Andrew Spitz is a possibility. He will soon be starting a Masters in Interaction Design at CIID in Copenhagen


 

Jeannette Ginslov's Videos

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Profile Information

Today is:
November 6, 2011
Do you want this account to represent:
individual human (me)
If you are representing an organization, what is the name of the organization:
Walking Gusto Productions, Screen Moves, MoveStream, 60secondsdance.dk
If you are representing an organization, what kind of organization? you may check more than one answer.
Presenter, Artists Services, Producer, Education, Media
Which other?
Independent
First Name (Required: even if you are reprenting an organization you must use your name)
Jeannette
Last Name (Family Name)
Ginslov
About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!
Jeannette Ginslov (Danish/b.South Africa)
Interdisciplinary & Multiplatform Artist [dance|video|stage|screen|internet]

MSc Media Arts & Imaging – Screendance, Duncan of Jordanstone College of Art and Design, University of Dundee, Scotland (A1 Distinction) and an MA Choreography, Rhodes University South Africa.

My research and practice is centered around Affect, haptic and digital materiality on several platforms: screen, online and new media.

The Screendance works amplify the visceral, emotional and kinesthetic, the concrete and the digital, using collaborative choreographic processes, a Dogme filmic approach and vertical montage in the edit and post production.

Online I am associate producer for http://dance-tech.net, creator and producer of MoveStream http://www.dance-tech.net/profile/MoveStream and co-ordinator for http://60secondsdance.dk. I am also the coordinator for ScreenMoves http://www.dansehallerne.dk/side.asp?side=13&id=225 at Dansehallerne, Copenhagen Denmark.

I support my practice by teaching Screendance workshops privately and at Dance & New Media University Departments. I am a Level Two Alba Emoting Trainer, which is a somatic system training the performer to elicit authentic basic emotions through patterns of breath, tension and facial expression.

Presently I am exploring Augmented Reality, Affect and locative choreographies using Argon on mobile devices, iPads and iPhones, with Prof Susan Kozel at MEDEA Malmö University.

+++++++++++++++++++++++++

My Screendance workshops:
These explore the genre of Screendance – the media and its outcomes.
• Explore dance and camera improvisations, choreographic scores for the dancer and camera, use of formal and experimental ways of shooting, with storyboards and shot lists.
• Investigate the amplification of the kinaesthetic and the emotional, how authentic and concrete experience is captured by the medium.
• Amplify the kinaesthetic and the emotional by the “edit in camera” process and in the timeline.
• Examine how the digital body and affective images become haptic, how these stimulate the audience’s imagination and engage them empathetically.
• The workshops highlight the influence of postmodern dance practice as well as the cinematic genre of Dogme and a non linear filmic practice, with vertical montage.
• The workshop will introduce ideas of editing and discuss the notion of repetition in the edit as a choreographic tool, choreographic affordances and the use of diegetic sound.
• Working in teams the participants will produce a 2- 3 minute Screendance work “edit in camera” dance video or in iMovie or Final Cut Pro.
Personal Website:
http://jeannetteginslov.com
Personal Ocupation ( maximum of three):
Video and film (screen-dance)
which other:
Intermedia collaborations and online/internet artist & producer
Organization Website:
http://jeannetteginslov.com
English is the main language of this site, but let us know which language you would use in this network besides English:
French, Danish , French, Afrikaans
How did you learn about dance-tech.net?
Invited by Marlon

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What Matters?

A film commission for the Arts Council's annual State of the Arts conference by artist film-makers straybird (Becky Edmunds and Lucy Cash) featuring Jeanette...
Video posted by Jeannette Ginslov 4 hours ago
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BRISA MP left a comment for Jeannette Ginslov
Download entry form is ok !!  We can send by mail, you  write to festivalvdchilefivc@gmail.com http://videodanza.cl/en/rules/ Best !!
yesterday
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BRISA MP left a comment for Jeannette Ginslov
Hello Jeannette, You can send your video, then the jury will define.. Thanks ! http://videodanza.cl B
Monday
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Autopsy Eros now showing @ LOIKKA, Magmart & Agite y Sirva!
Status posted by Jeannette Ginslov Saturday
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60secondsdance.dk online screendance competition deadline 01/03/12 First Prize €1500 Runner up €500

60secondsdance.dk REMINDER!ONLINE SCREENDANCE COMPETITION 2012ONE MONTH LEFT!UPLOAD YOUR ENTRY BY 01 March60secondsdance.dk  online screendance competition is a co-production of Dansens Dag and Screen Moves, Copenhagen, Denmark. Hosted on …See More
Blog post by Jeannette Ginslov Feb 6

Jeannette Ginslov's Photos

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Jeannette Ginslov's Blog

Jeannette Ginslov

World Premiere - Autopsy | Eros

Posted on November 30, 2011 at 3:48am 0 Comments

AUTOPSY | EROS

“la petite mort”

Autopsy: (a.) personal observation

Eros: (n.) the primordial god of sexual love and beauty

 A film…

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Jeannette Ginslov

AffeXity Blog Post: Residency Phase 01

Posted on November 30, 2011 at 3:30am 0 Comments

AffeXity

Phase 01 

Narrative Report

Jeannette Ginslov Residency at Laboratorium

Dansens Hus Copenhagen

21-27 November 2011

Phase 01 Residency

AffeXity Phase 01 includes an informal internship for Jeannette Ginslov at MEDEA, Malmo University, end Sept to mid December and a Residency at the Laboratorium from the Dansens Hus…

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Jeannette Ginslov

Introducing Jeannette Ginslov: Independent Artist and Researcher

Posted on November 8, 2011 at 1:38am 0 Comments

Independent Artist and Researcher at MEDEA

Introducing Jeannette Ginslov: Independent Artist and Researcher

Jeannette Ginslov’s work centers around affect, haptic and digital materiality on several platforms: stage, screens, online and new media applications. Ginslov is currently working…

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Jeannette Ginslov

“What you see is what you get!” 21 Hot/Easy/Quick Tips to shoot interviews and vlogs by Jeannette Ginslov 07 May 2011

Posted on October 22, 2011 at 1:09pm 0 Comments

 

www. dance-tech.net

 

Vlogging for social media pages

 

“What you see is what you get!”

21 Hot/Easy/Quick Tips to shoot interviews and vlogs

 

by Jeannette Ginslov 07 May 2011

 

  1. Know what your camera can and can’t do. Look at manual and check out: F-stops, frame rates, (usually 50 is good for dance), formats, volume, mic - on camera and…
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Comment Wall (23 comments)

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At 6:27pm on February 13, 2012, BRISA MPBRISA MP said…

Download entry form is ok !! 

We can send by mail, you  write to festivalvdchilefivc@gmail.com

http://videodanza.cl/en/rules/

Best !!

At 9:56pm on February 12, 2012, BRISA MPBRISA MP said…

Hello Jeannette, You can send your video, then the jury will define..

Thanks !

http://videodanza.cl


B

At 1:01pm on October 23, 2011, teoman madrateoman madra said…
www.youtube.com/tmadra    best wishes
At 11:23am on August 14, 2011, Fernando de MiguelFernando de Miguel said…
here I am!!!
loved the sound moves video!
see ya
At 7:53am on January 9, 2011, wolf dancerwolf dancer said…
very cool. thanks for invite
At 1:56am on October 11, 2010, VICTOR EZE OKWUCHUKWUVICTOR EZE OKWUCHUKWU said…
You are finally welcome to Dance Africa Sister. Please make contributions as you deem fit. We are still hoping on WORKING TOGETHER, REMEBER?
At 1:59pm on May 4, 2010, Leon DanielLeon Daniel said…
Great that you like it!
That was just a spontaneous trial with a photo-camera and I used it in an experimental short movie.
I do have some more films but in October I will begin to study film at the art-academy, then the number of my films will sourly increase.
Leon
At 6:41am on April 19, 2010, echaecha said…
Hi Jeanette,

thanks for asking me. I don't really know if I'm the right person for your artistic needs. I'm more focused on the technology side, building software and systems for 3D video capturing and networked performances. So if you like to try smth more exceptional on the edge of technology... Would be nice to learn more about your project and how you think I might fit in a funding proposal.

Maybe you can afford to come to the Art.on.Wires festival in Oslo (May 10-13, http://art-on-wires.org). There you can meet many visual artists and even try out working with them on a small idea for 4 days.

All the best,
Alex
At 12:45pm on April 15, 2010, Bruno HeynderickxBruno Heynderickx said…
Carte Blanche's address:
Nøstegaten 119
5011 Bergen
Norway

Cheers
At 9:56am on April 10, 2010, buxbux said…
hi jeannette
thx for your fiend request!
keep'n touch
bux
 
 
 

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