dance-tech
The Social Network for Innovators in Motion
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Deirdre Towers
- Female
- New York
- United States
- Blog Posts (34)
- Discussions
- Events
- Groups (1)
- Featured Photo Albums
- Photo Albums
- Videos (16)
Welcome, Deirdre Towers!
Profile Information
- Today is:
- July 31, 2016
- Do you want this account to represent:
- individual
- First Name (Required: even if you are representing an organization you must use your name)
- Deirdre
- Last Name (Family Name)
- Towers
- About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!
- Writer/Dancer/Producer/Curator of Dance on Camera Festival for 18 years, BA from Kirkland/Hamilton College, a MA from New York University with a semester through World Learning in Ghana.
- Personal Website:
- http://www.belleight.com
- Personal Ocupation ( maximum of three):
- Movement artist (dancer/interdisciplinary performer), Stage director (choreographer/ theater director), Video and film (screen-dance)
- which other:
- flamenco, dance for children
- English is the main language of this site, but let us know which language you would use in this network besides English:
- French, Spanish
- How did you learn about dance-tech.net?
- e-mail from Martha Williams
Deirdre Towers's Videos
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Prestige
Added by Deirdre Towers 0 Comments 0 Likes
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Deirdre Towers's Blog
The nose knows...
Posted on March 1, 2015 at 11:52am 0 Comments 0 Likes
My mother asked me when I was a child of what - maybe 11 - "what did I want to be when I grew up?" "Perfume," I replied. She said nothing. Now, I imagine how hopelessly impractical I must have seemed.
But I wonder where such an aspiration came from? For years living with the fiercely invasive smells of NYC, my nose almost shut down. Somehow my nose was very protective. But given my childhood ambitions and my mature inclination to shut down one of the 5 senses, I wonder what…
Continue Remembering Alyssa
Posted on February 18, 2015 at 2:38pm 0 Comments 0 Likes
A month ago, I posted a video of Alyssa Joy Stith doing a short improv with cellist Chris Lancaster. 214 viewings in a day, now nearing 700. A testament to how many friends she had. I still don't know anything about why she is no longer with…
Continue LOCO MOTION
Posted on March 8, 2013 at 8:54am 0 Comments 0 Likes
Would like to know whether anyone in Dance-Tech.net has a network to recommend for getting videos into high schools. Please let me know.
Also, has anyone had any luck getting into the network for LETS MOVE, Michelle Obama's campaign. One would think this network would be a…
Continue re:PLAY 2013 in Imphal, Manipur
Posted on January 29, 2013 at 10:00am 0 Comments 0 Likes
From Peking to Queens to Manipur
Posted on October 22, 2012 at 3:53pm 0 Comments 0 Likes
If a slim, handsome man or woman waits on you in a Manhattan restaurant, you just assume they are performers. But do you do the same in Chinatown and Flushing? Perhaps you should. Since 1988, Qi Shu Fang, master of Chinese Opera, has been developing her own Peking Opera Company with her husband…
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Comment Wall (5 comments)
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Dear Deirdre, I´m making a review of history of videodance in Mexico during the 90`s, I found an e-mail you sent me in 1998, I guess. I´m recovering experiences from those years, and your are an important part.
I remember you, with love.
Hope you are fine!
I would be glad to ! Lets' keep in touch !
Lisa
CALL FOR PROPOSALS . Deadline 30th of September 2009
Application form must be sent by email to voarte@voarte.com and the DVD by post to:
Dance Without Shadow – International Film Festival of Dance and Performance
Associação Vo’Arte • Rua de S. Domingos à Lapa, nº 8N • 1200-835 Lisboa • PORTUGAL
About clarifications, you can call +351 21 393 24 10 or send an email voarte@voarte.com
Or you can refer to our blog www.dancasemsombra.blogspot.com
The final deadline is on the 30th of September 2009
We count with your participation!
Do you happen to know anyone who works at VH1/ MTV?
Maybe we could have a call for silent films and create an event inviting the musicians to accompany it. The audience picks their favorite and the musician plays again.