Daniel Alexander Belton
  • 47, Male
  • Dunedin
  • New Zealand
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Latest Activity

Daniel Alexander Belton liked Marta Renzi's profile
May 9
Daniel Alexander Belton left a comment for Jung In Jung
"Great, lets keep in touch. Thankyou Jung In and from what I have just now looked at, I think your practice looks very exciting. Best, Daniel Also you might be interested in…"
May 9
Jung In Jung left a comment for Daniel Alexander Belton
"Thank you Daniel. I don't have Facebook at the moment but I've checked your Vimeo. Very nice works and I'd love to have an opportunity to see in person. As in my profile, you can see my works on my website:…"
May 9
Daniel Alexander Belton left a comment for Jung In Jung
"Thanks and all best wishes to you too. Theres also some links here to photos of my sensor performances and projection mapping works: https://www.facebook.com/GoodCompanyArts/ Warmly, Daniel"
May 9
Jung In Jung left a comment for Daniel Alexander Belton
"Hi Daniel, Thank you for your comment. It would be nice to collaborate with you for sure! I will follow up your work and if we happen to be in the same festivals or conferences, let's try to meet up. Best wishes, Jung In. "
May 9
Daniel Alexander Belton left a comment for Jung In Jung
"Hi Jung in Jung, it would be great to collaborate with you one day. I hope that it can be possible. Best, Daniel"
May 9
Daniel Alexander Belton posted a status
May 7
Daniel Alexander Belton posted a status
May 7

Profile Information

Today is:
May 8, 2017
Do you want this account to represent:
individual
If you are representing an organization, what is the name of the organization:
Good Company Arts
If you are representing an organization, what kind of organization? you may check more than one answer.
Company
Which other?
Charity (Arts and Education)
First Name (Required: even if you are representing an organization you must use your name)
Daniel Alexander
Last Name (Family Name)
Belton
About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!
Founder and Artistic Director of Good Company Arts, Daniel Belton was born in the Horowhenua region of New Zealand. He was principal dancer with renowned Danish choreographer, Kim Brandstrup's Arc Dance Company in London from 1992 to 1997. During his performance career he worked with dance theatre luminaries including Douglas Wright, Lindsay Kemp, Aletta Collins, Vicente Saez, and Elio Gervasi. Prior to joining Arc, he began his dance career in 1990 as a scholarship graduate of the New Zealand School of Dance, with Douglas Wright Dance Company. Daniel's exceptional artistry has led him to receive many dance film nominations and awards internationally. In 2015 he was acknowledged by The Arts Foundation of New Zealand with a prestigious Laureate Award. In 2010, he was awarded the Choreographic Fellowship from the National Arts Council of New Zealand. He founded Good Company Arts with fellow artist Donnine Harrison in 1997. Since its establishment the company has ascended to become well-known as an arts innovator and is celebrated internationally for producing original and powerful sensory experiences to both stage and screen. His critically acclaimed works with Good Company Arts include Soundings (2000), Soma Songs (2005), Line Dances (2010), Time Dance (2012), OneOne (2014) and AXIS (2017). Daniel's works have also toured to international festivals with commissions and showcases, including the Prague Quadrennial, the World Stage Design Festival, Festival de la Imagen and ISEA, Genius Loci Weimar International Video Mapping Festival, Romaeuropa International Festival, N.O.W DanceSaar Internationales Tanzfestival, Escuchar Festival (Museo de Arte Moderno, Buenos Aires), the Attakkalari India Biennial, the Oceanic Performance Biennial, Sound Islands Festival Singapore and the Aarhus Festival. In addition to his lauded career as an independent performing artist, choreographer, producer and arts leader, Daniel is an accomplished trans-media creator with over twenty years experience working in and researching film, cinematography, projection mapping, motion capture, digital post production, sound and design.

https://vimeo.com/dbel
Personal Website:
http://www.goodcompanyarts.com
Personal Ocupation ( maximum of three):
Movement artist (dancer/interdisciplinary performer), Sound designer (electronic/digital composition), Stage director (choreographer/ theater director), Interactive designer (video and sound installations/ performances and networked spaces), Interaction designer (physical computing/ sensor based interaction), Interaction designer (video tracking), Video and film (screen-dance)
Organization Website:
http://www.goodcompanyarts.com
English is the main language of this site, but let us know which language you would use in this network besides English:
Spanish
Which other:
Spectronasium
How did you learn about dance-tech.net?
DFA

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Daniel Alexander Belton's Blog

Time Dance

Posted on November 10, 2012 at 10:00pm 0 Comments

Time Dance (online film version)

SOPHISTICATED, TIMELESS AND INTERNATIONAL IN SCOPE

Tempo Dance Festival 2012 | Time Dance and Soma Songs | Daniel Belton and Good Company Arts

Q Theatre, 305 Queen St, Auckland, 17 Oct 2012 | Reviewed by Jennifer Nikolai, 18 Oct 2012

Two pieces intricately layered with parallel through-lines, gave audiences an extraordinary experience that left us wanting more.…

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New Review Essay of 'Line Dances' by Claudia Rosiny for The International Journal of Screendance

Posted on May 12, 2012 at 2:46am 0 Comments

The International Journal of Screendance
page122image1144

Review Essay by Claudia Rosiny

Line Dances (seven cinematic journeys) — seven films for web and new media. Directed by Daniel Belton. Dunedin,…

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Line Dances (see films at www.goodcompanyarts.com)

Posted on November 11, 2010 at 11:00am 0 Comments

Film Making Notes on my new films - Line Dances (seven cinematic journeys).


Line Dances is a sense filled journey for the viewer. Reaching back to Modernism, and forward to the future. Klee said “One eye sees, the other feels”. This statement sits at the heart of what I hope to achieve with these films. Dance is as much visual as it is physical. Watching dance unfold live or on screen is emotive. Capturing the body moving on film holds the dance in time. Like a… Continue

Comment Wall (5 comments)

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At 6:33pm on May 9, 2017, Jung In Jung said…

Thank you Daniel. I don't have Facebook at the moment but I've checked your Vimeo. Very nice works and I'd love to have an opportunity to see in person. As in my profile, you can see my works on my website: http://www.junginjung.com/interactive-dance. Most of my recent works are on hold due to festival regulations but I hope you like it. I will keep follow up your work. Thank you. Jung In

At 4:51am on May 9, 2017, Jung In Jung said…

Hi Daniel, Thank you for your comment. It would be nice to collaborate with you for sure! I will follow up your work and if we happen to be in the same festivals or conferences, let's try to meet up. Best wishes, Jung In. 

At 12:10pm on June 10, 2010, Vangelis Lympouridis said…
Hello Daniel,
Thanks for finding me. I ve seen your work and I liked it really much! I have a special interest in old film (8mm,16mm silent BW) and I ve enjoyed a lot the fusion you create, especially with Ato-Mick but also in your kinesthetic signature.
Best, V.
At 6:36pm on July 13, 2009, Mike Baker said…
Hi Daniel, Dont know whether or not you remember me - I have been following your work for some time now and have always found it thoroughly engagaging and immersive. In short - love it. As something of a hybrid myself, practicing between the visually and performatively inscribed, I respect and enjoy your directions to fuse, morph, relate, contrast across the spectrum of what could be 'performed' as art. Great to see you in here. I have my MA in dance and video work in here as well as my site: http://hoststranger.blogspot.com

Best, Mike Baker
At 8:12am on May 19, 2009, Carré Josselin said…
hello daniel... this exhibition WAS FOR U ! very happy that you can discover his work.
 
 
 

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