Information

On Tools and technologies

About the hardware, software and new tools for dance and technology.

Members: 122
Latest Activity: Jan 14

Comment Wall

Comment

You need to be a member of On Tools and technologies to add comments!

Comment by John D. MItchell on April 12, 2010 at 4:04pm
Summer course at Arizona State University in MAX/MSP
I am offering a 5 week summer course - Interactive Performance Design Seminar From June 1 through July2 2010. I will be dealing with the use of media and sensing technologies for use in interactive performance and installation. Please join me.

http://hida-sod.wikispaces.asu.edu/2010+Summer+Classes
Comment by Goran Sergej Pristas on March 8, 2010 at 9:46am
Comment by Marco Fusion on February 21, 2010 at 3:28pm
Is anyone going to the BodyTech conference in Irvine tomorrow and Tuesday? I'll be there.
Comment by Marco Fusion on January 14, 2010 at 6:55pm
Has anyone looked into using the upcoming Microsoft XBox Natal technology (or whatever it's based on) to do body capture by camera? I'm wondering if it's as good or better than EyesWeb.

Also, I haven't used EyesWeb yet. Recommended? Or is there another alternative people like?
Comment by lasal on November 1, 2009 at 1:49pm
Comment by ari on October 30, 2009 at 2:19am
2. processing
Comment by Steve on October 29, 2009 at 7:06pm
I'm slowly learning max/msp - generally use Reaktor, Absynth, Ableton Live, Battery and other softwares. I'm finding that I feel comfortable using certain softwares in certain situations and I generally stay with those....I'm really starting to feel that when one names a software people assume a certain approach and sound and it frustrates me because to me each software is it's own instrument and I'm trying to make the music in my head on it. It reminds me of when I played drums many yrs ago and the questions were what brand of cymbals or drums are you using. My roommate and teacher at the time was Ray Charles original drummer and he made more music on a $25 pawnshop special than most other cats paying big bills for the name brands....Many times I feel that the software's bells and whistles set the tone for the piece instead of the creativity of the individual musician.
Comment by Ludmila Pimentel on October 29, 2009 at 3:02pm
We can list in the end of 2009 some tools and technologies applied in dance, performance, theatre...
Each member can send one name?
I will begin:

1. software Isadora
 

Members (122)

 
 
 

welcome to dance-tech.net

Welcome!

dance-tech.net provides movement and new media artists, theorist, thinkers and technologists the possibility of sharing work, ideas and research, generating opportunities for knowledge exchange, interdisciplinary explorations, innovations and collaboration. 

dance-tech.net is a social networking website connecting people concerned about innovation and experimentation on movement  arts and  its evolving embodied practices knowledge, stories and histories.

So, dance-tech.TV and .net are FREE...

but it is supported by the generosity of its members and special funds from Motion Bank/Choreographic Coding Labs (Frankfurt)

 

You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features

The use of dance-tech.net and dance-tech.tv is FREE

This networked is maintained and administrated by Marlon Barrios Solano for free as an independent project.

You can donate to support my work here:

WOULD YOU LIKE MAKE A ONE TIME DONATION?


Support dance-tech.net making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information

 

Creative Commons License
All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT.

LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

 

watch dance-tech.tv

© 2019   Created by marlon barrios solano.   Powered by

Badges  |  Report an Issue  |  Privacy Policy  |  Terms of Service